Tickets: Salisbury Information Centre, Fish Row, Salisbury Phone: 01722 342860 or from https:/ticketsource.co.uk/studiotheatresalisbury
Scene One+ wrote:
Director Anthony von Roretz has brought together a cohesive ensemble production with a cast who gel well together, providing credible and recognisable characters from the am-dram world.
Samantha Luckman is charmingly convincing as King Lear’s long suffering director as she cajoles and massages the egos of her narcissistic leading men, encourages and guides the entire company, and attempts to keep control of the divergent personalities within her cast. David Rhodes is splendidly grandiose as pompous Nigel Dewbury, as well as showing hidden depths of the reluctant supporting man throughout the Shakespearean vignettes.
Paul Chalmers brings depth and honesty to the role of the bumptious Steele, with a valiant attempt at a consistent American drawl. I would like to see him being even more overbearingly arrogant on first meeting his alter ego to really emphasise his character’s mellowing personality throughout the play, but Chalmers does show Steele’s vulnerability beneath his brash exterior, especially in regards to his daughter and his personal insecurities, that add depth to his role alongside his capacity for comedy, and his switch to the dramatic persona of Lear is commendable as Steele learns to cope with the delivery of Shakespeare’s iambic pentameter. Chalmers shares a very believable rapport with Fabia Alexander as his daughter, Jessica, who in turn brings spirit and vivacity to the character with a mix of rebellion, resilience and vulnerability, a convincing American accent and honesty to the role. Lauren Bell is a difficult character to ‘flesh out’ in comparison with the other roles, but Sophie Newton succeeds in making the part her own on her return to the stage, showing promise for the future in both comedy and Shakespearean roles.
Sally Marshall (Mary) and Kris Hamilton-Brain (Dennis) are wonderful in their roles; both have superb comic timing and physicality, visually and delivering dialogue, and both exhibit the skill of performing comedy sincerely and earnestly, not forcing the comedy but letting it flow innately with a combination of naturalistic and heightened styles.
Colin Hayman’s well designed and constructed set makes excellent use of the performance space on multiple levels, which are well used alongside von Roretz’s directional tool of seating King Lear’s director and prompt on the steps in the audience at various times. The crew and cast ensure that the many scene changes run smoothly, although voiceovers at the same time as music during some of these transitions are confusing, lacking clarity as they collide with each other and ultimately becoming an increasingly unnecessary irritant after the interval. However, Brian Waddingham’s wonderfully plush Shakespearean costumes for the Stratford Players’ performance of King Lear are superb.
Overall, this is a very enjoyable evening’s entertainment. Studio Theatre’s first production of their new season proves yet again that this is a very accomplished ‘bunch of amateurs’ who are able to put on a most agreeable evening of comedy and laughter!
Full review at: A Bunch Of Amateurs – Scene One+